I am happy to announce that in just 16 days, two weeks two days, the Plaza Atlanta will be making kaiju theatre history by showing RODAN. As reported by SciFiJapan, the print is on loan from kaiju film historian Ed Godziszewski, in which Sean Linkenback is the middle man between. In case people didn’t know, Sean Linkenback is one of the more prominent kaiju fans from the south. He used to run Showcase Collectibles - a walk in kaiju store which you could also order via internet from - in Atlanta, Georgia till it went out of business. He is most known for writing the book "An Unauthorized Guide to Godzilla Collectibles", which for the time was an awesome book which consisted mainly of a list of merchandise with pictures and pricing. He now runs a memorabilia shop which sells kaiju memorabilia from the Showa series, but also has a lot of posters and lobby cards from the golden age of American cinema - including Universal horror.
9.10.2009
Updates 9/10/09
I am happy to announce that in just 16 days, two weeks two days, the Plaza Atlanta will be making kaiju theatre history by showing RODAN. As reported by SciFiJapan, the print is on loan from kaiju film historian Ed Godziszewski, in which Sean Linkenback is the middle man between. In case people didn’t know, Sean Linkenback is one of the more prominent kaiju fans from the south. He used to run Showcase Collectibles - a walk in kaiju store which you could also order via internet from - in Atlanta, Georgia till it went out of business. He is most known for writing the book "An Unauthorized Guide to Godzilla Collectibles", which for the time was an awesome book which consisted mainly of a list of merchandise with pictures and pricing. He now runs a memorabilia shop which sells kaiju memorabilia from the Showa series, but also has a lot of posters and lobby cards from the golden age of American cinema - including Universal horror.
9.05.2009
Toho's Blu-Ray DVD Promotion and Other Stuff...
Reguarding the display itself, it is in Akihabara and a rough translation of the site seems to say that the suit is the actual shooting suit from "Godzilla: Final Wars". And notice in the background the Gamera display).
Toho’s official site also seems to be showing stills of their "Gojira" release’s menus and a look at some of their special features. Take a look! (images in form of links due to their large size).
Scene Selection:
http://www.toho-a-park.com/tokusatsu-bd/img/news/chapter.jpg
Special Features
http://www.toho-a-park.com/tokusatsu-bd/img/news/tokuten.jpg
Special Feature: Story Board Comparison
http://www.toho-a-park.com/tokusatsu-bd/img/news/ekonte.jpg
Blu-Ray Exclusive Feature
http://www.toho-a-park.com/tokusatsu-bd/img/news/mybookmark.jpg
Just a reminder, here is the rundown of Toho's Special Features for their "Gojira" BD release (translation by James Ballard):
1. Theatrical Trailer (HD quality)
2. Akira Ifukube Interview (SD quality)
3. View Storyboards with Picture-In-Picture [NEW FEATURE!]
4. New Version of Godzilla's Theme (HD quality) [NEW FEATURE!]
5. See Original Filming Locations With Snapshots (tentative) (HD quality) [NEW FEATURE!]
6. Oxygen Destroyer (HD quality) [NEW FEATURE!]
7. Audio Commentary (Akira Takarada)
Wondering who is in charge of the people who are graciously making the blu-ray variations of our beloved Toho-owned kaiju eiga? Their names are…
Production Manager Haruyasu Yamazaki
Masaaki Murai
Taono (rest of name does not translate)
Blu-Ray Disc Advisor Enami Masanori
Blu-Ray Disc Advisor Kazuki Yokota
For the past two months, they have been doing "Roundtables" (as of date, there are only two), in which they post comments concerning their work on the official Toho concerning the blu-ray discs. Sadly, the translated version of the two pages is so unruly that it cannot be deciphered. If you want to take a gander, highlight the text from this link: http://www.toho-a-park.com/tokusatsu-bd/news.html and drag it to WordPad. Copy and past the text from word pad onto translate.google.com and then go for it.
9.04.2009
Classic Media... More Classic Mistakes
9.03.2009
New Photos of Kadokawa's Blu-Ray Set for the Gamera Trilogy
Kaiju Movie Review No. 4
To start off the month of September, we got another one of Kuroneko-Sama’s Kaiju Reference listings!
8.31.2009
Legendary Pictures Godzilla... by Who?
Something which has apparently set the world on fire for kaiju fans was the news of Legendary Pictures going into negotiations with Toho for the rights of a Godzilla film. But what is fact and what is not? This is what I am going to write about. Well, that and a look at possibly directors.
Legendary Pictures is in negotiations with Toho. True. Toho said "no comment", though how they said it proved that they are doing something which is top secret. True. Did Legendary Pictures ask Toho or was it the other way around? It was Legendary Pictures which approached Toho (this is based on the wording of a certain Twitch article). Legendary Pictures would like to make for the film an updated version of the Shodai-Goji suit? I do not know. This is where stuff starts to get tricky. That, and accouple of more rumors (that Legendary Pictures will have Weta do the CGI and that they want a Toho villain to oppose the King of the Monsters) came from an ananymous. When I asked about his source for validity, he said that his source was someone high in the industry. So make of it as you will. Is what Avery Guerra keeping secret the same facts? I do not know and event though I am a friend I do not know either nor do I have the audacity to do so.
But who will be the director? Many famous directors love Godzilla. John Carpenter (Halloween, The Thing, Escape From New York) has been in two different documentaries on the Big "G". But due to his age and his current projects, I doubt it. Tim Burton (Batman, Charlie and the Chocolate Factory) has given Godzilla a cameo in his film "Pee Wee’s Big Adventure" and even mentions him, "Destroy All Monsters", and had a picture of the Big G in his autobiography, "Burton on Burton". Martin Scorsese (Taxi Driver, Raging Bull, The Last Temptation of Christ, and Apocalypse Now) did what August Ragone said: "In 1956, Scorsese ended up seeing GODZILLA, KING OF THE MONSTERS several times as a young teenager. Decades later, when he worked on Akira Kurosawa's DREAMS (in which he played Vincent van Gogh), Scorsese was elated to discover that Honda was working on the film and asked to have a sit down with him. He told Honda about how much he loved GODZILLA and how he used to do chores so he could see the movie as many times as he could when it first came to NYC. Scorsese also, according to an interview with Honda, talked to Toho and managed to get several of Honda's films into the New York Museum of Modern Art's film library." But there is another guy who I want the most to do this project. And I got two words for you: QUENTIN TARANTINO.
Tarantino is already known to be a Godzilla fan. For "Kill Bill Vol. 1", he used one of the Yokohama sets from "Godzilla, Mothra, King Ghidorah: Giant Monsters All Out Attack". For the epic fight between Beatrix Kiddo and Elle Driver in "Kill Bill Vol. 2", he made both Daryl Hannah and Uma Thurman watch his print of "War of the Gargantuas" before filming the scene - which also copies some publicity stills from "War of the Gargantuas". Some even say that Quentin owns a print of "Destroy All Monsters". Well, some news has surfaced that has seemingly not hit most kaiju forums.
Originally around the time "Death Proof" was released, Tarantino mentioned something about wanting to make a Godzilla film but claimed that he was not at liberty to say anything about it. Very recently, Tarantino was interviewed and said this: "I have an idea for a Godzilla movie that I've always wanted to do. The whole idea of Godzilla's role in Tokyo, where he's always battling these other monsters, saving humanity time and again- wouldn't Godzilla become God? It would be called "Living Under the Rule of Godzilla". This is what society is like when a big fucking green lizard rules your world."
Some unique narrative, eh? Godzilla as a religious symbol is an interesting concept. This is something which effects the original, "Gojira" in which somewhat getting influenced from the original "King Kong", Godzilla is a God to the natives of Odo Island. 30 years later, producer Tomoyuki Tanaka would call Godzilla, "…a nightmare created out of the darkness of the human soul. He is the sacred beast of the apocalypse." Then in 2001, Godzilla became the embodiment of the dead souls of the Pacific Conflict theatre of the Second World War which were angry for the Japanese to try to forget about the war. However, "Godzilla, Mothra, King Ghidorah: Giant Monsters All Out Attack" also proves that Japanese mythology is in the GMK universe real, with the description of King Ghidorah’s mature form being eight headed - a call to Yamato No Orochi. Then there is the fact that the international name for Godzilla has the word "God" in it. Tarantino’s take on the religious angle to Godzilla himself sound different from what I have listed above and seems to be a breath of fresh air not smelled since Kaneko’s "GMK".
Overall, Tarantino has revealed something which he has kept secret for two years. We do not know when Legendary Pictures started negotiating for the rights to "Godzilla", with some people (including Chris55) saying that at least it has been going on for the past 2 months, so is it possible at Tarantino may be the new director since right after the revealing of the negotiations he can how talk about his Godzilla concept? Time will tell. I can say one thing, though it may be off topic: Michael Schlesinger is no longer available for interviews for publishing on the internet. Please comment on what you think Tarantino’s Godzilla may be like with this new information and how Legendary Pictures may use this if the negotiations lead to a green lighting which would lead to the hiring of Tarantino in a rare project which does not include the Weinstein Company.
NOTE: THIS ARTICLE IN NO WAY SAYS THAT TARANTINO IS THE DIRECTOR FOR A FILM THAT IS ONLY IN NEGOTIATIONS. THIS IS JUST TO GET OUT SOME DETAILS ABOUT THE LEGENDARY PICTURES GODZILLA AND SOME INFORMATION QUENTIN TARANTINO LET OUT IN AN INTERVIEW ABOUT NINE DAYS AGO. TARANTINO IS OF RIGHT NOW NOT THE DIRECTOR OF THE LEGENDARY PICTURES GODZILLA.
8.29.2009
Interview with Keith of "S.V."
1. How long have you been a Godzilla Fan?
Since I first saw a Godzilla movie in 1977. I was ten at the time.
2. Can you remember your first experience with kaiju, specifically Japanese kaiju?
Well I was born in Germany and we lived in a small farm town. Very few people had cards and there was no theatre in town (or next few over). Only the bigger cities had theatres at the time. So everything I knew came from TV (I think there was maybe two channels) and one would show the Universal horror movies from time to time. The closest to kaiju I got was seeing the "Creature From The Black Lagoon". When we moved to the states I finally was able tog et to a theatre and saw the first "King Kong" remake. I know the movie gets panned now but at the time it was fantastic to me. Shortly after a while looking in the newspaper movie ads I was a strange sight: two monsters fighting each other atop the World Trade Center! This of course was Godzilla vs. Megalon (yes I had the comic and yes like many others I basically destroyed it). When I saw it I can remember thinking how off it was that there was a lot of Japanese people in it and what were they all doing in New York? Of course I finally figured out when the credits rolled that the two monsters were actually not going to right on the WTC, talk about a disappointment! So Kong remained my favorite until I saw "Godzilla vs. Mechagodzilla", which in the paper was advertised as "Godzilla vs. Cosmic Monster"! Man I was confused; I thought they were different movies! To me there was just no way not to be a Godzilla fan after seeing Mechagodzilla, he was just too cool.
3. From what we have conversed of, you have an interesting collection. Could you describe it a little to our readers?
I like to collect the diorama sets. I have the complete Yuji Sakai diorama series now that thankfully (hint-hint) was able to point out to me the last one I needed - the "Godzilla vs. King Ghidorah" one from the first series. Other than that I have the complete Bandai Polystone diorama set some other various dioramas and lots of books from Japan. My favorite would be the Sakai Concept Works "Ka-Ma-E" Meltdown Godzilla because it was so difficult to obtain. Oh and of course lots of DVDs and VHS tapes.
4. You make products for fans in the DVD format. While some material is from the R2 DVDs, how did you get the more rare material like the TV spots for, "Godzilla vs. Cosmic Monsters" or the double feature trailer for "War of the Gargantuas/Monster Zero"?
All of my rare stuff comes from people I have traded with in the early days of the internet and fanzines. Lots of good traders out there!
5. Thanks to you, the aforementioned rare materials (which may not even exist anymore as original material like film) will be preserved. Would you say that you may have made kaiju history?
Not even close - I will leave that to actual people who help clear up discrepancies and myths in the fandom. People like August Ragone, Keith Aiken, and James Ballard (I am sure there are others out there too) who participate in the forums and provide the blogs (and even write books for us!) they are the fountains of information that make kaiju history. Even you with this site and Dan of the Kaiju Movie Review do way more for the fans than I go. I just get happy when I hear from someone that they saw a movie as a kid, they could not find it anywhere and can’t wait to share watching it with their kids, that’s simply what I want to provide.
6. Personally made products play a big role in the kaiju fandom’s history in the 90’s. Did you play a part of this? Did you buy any fan made products and could you please tell of the quality?
I started making some of my own stuff available around 1999. I got started because I felt I could do a better job than some of the stuff that was out there - I thought a lot of fans were getting ripped off by some of the things I had gotten that were supposed to be "top quality". Of course this did not apply to all sellers there was really good stuff out there too.
7. How is business right now?
Just fine, how I like it: not too busy. This is only a side thing for me and I mostly like doing it as a hobby and keeping it in that perspective. I try to keep a fair price for the fan and give them as good quality as I possibly can.
8. What equipment do you use to make the discs?
Some hardware and software from Canopus (now Grass Valley), software from Adobe - these things I use to edit and create my project. I use only Verbatim discs and they are printed using a "modified to print" Canon printer.
9. Anything else could you add for our readers?
Just to thank everyone who has purchased from me and hopefully they are pleases with what they got. And many thanks to all the great people I have talked to and met through Godzilla.
8.28.2009
Kaiju Memoir: Silver Scream Spook Show Presents... GMK

Coppola, Kurosawa, Scorsese - these are all names that are recognized by people who take pride into wanting only the best out of the best films to watch. Another name comes to mind which should be on the list: Kaneko. Shusuke Kaneko is a great director, from making great drama films like Cross Fire (Pyrokenesis) and the Death Note duology to creating films which challenge what were the greatest giant monster films of all "Gamera 3: Incomplete Struggle". Another is "Godzilla, Mothra, King Ghidorah: Giant Monster All Out Attack". GMK, while not as good as G3 (which is good only because of the film's evolution coming from G1 and G2) is considerably better than G1 and G2 and arguably better than the original "Gojira". Back on January 31, the Plaza Theatre of Atlanta, Georgia, which used to be a grindhouse/porn theatre, showed GMK. In this report, we will look into the history of Godzilla in this theatre and what happened at the premiere and if anything else would happen.
First we have to talk about the history of this film. This film has been the most shown Godzilla film ever (in American art houses and cult film theatres). The film has been shown at least eleven times at an estimated six different art film houses and other specialty theatres. And now it’s showing here. According to two articles on Henshin!Online, the way theatres get prints of these types of films is by contacting Sony Pictures Repertory, and with paying $150 and 33% of the box office income, you can show the film that you want (in this case, GMK). At the current time, you have a choice to rent a dubbed version and a subtitled version. It was not always liked that. A subtitled version was made available only a little bit before September 14th, 2004 (and the first article explaining this film was written a year and accouple of days before). The print which was shown was the dubbed version.
So it turns out that this is not the first time a kaiju film has been shown in Atlanta, let alone the legendary Plaza Theatre. Previously, the theatre has shown the films Mothra (February 24th 2007) and Godzilla vs. The Sea Monster (March 29th 2008). As they say, third times the charm, and their third kaiju film was GMK. Two weeks before the premiere, I estimated that only a little more than $35 will be made at the box office. At the end of the 10:00 pm showing, the box office draw became a total of $2,800 (that is both showings together). Attendance to the 1:00pm showing was around 150 and the attendance for the adults-only 10:00pm showing was 250.
INTERVIEW WITH SHANE MORTON (runner of the Silver Scream Spook Show and affiliate of the Plaza Theatre)
Here now is an interview with Professor Mort, the guy in charge of the Plaza Theatre:
1. How well known is the Plaza Theatre and it's main attraction: The Spook Show?
Everyone has a favorite Monster / Scifi / Horror film and we get requests for all of them. Believe me if it exists on 35mm film and is a classic, you will get a chance to see it at the Silver Scream Spook Show. (or if it is R rated, at Splatter Cinema which The Plaza hosts the second Tuesday of every month.) I have personally fulfilled many of my cinematic viewing dreams at the Plaza Theatre.
Q. State your name and history as a kaiju fan concerning writing papers, being staff of official sites like SciFiJapan, MonsterZero, and Henshin!Online, ect.
I left two hours early. I live in Warner Robins so it is not that long to Atlanta. We got there 45 minutes early, and thank god we did. I was the first to get out of the car (I am only 15, so my mom drove me and my brother to the event) and I got my camera and started snapping photos till I was met my a short woman who was a radio talk show host who was doubling for security. Next, after covering the front of the theatre, I decided to ask a teen aged woman, an employee, if the posters could be bought once the show was over. I was answered with a , "no". I tried getting in, but there was another no. Of course anyone who knows me knows that no one is going to get in my way of kaiju stuff. And then the true magic took it's toll on me.
I had never been to a G-FEST or any type of kaiju-related event. So when I went to the theater and saw GMK and Kill Bill posters and a dealer's table and another table full of free promotional items and a table of display only items (unless you are a member of the Silver Scream Spook Show fan club). In case you were wondering, the items on that table were a bunch of issues of G-FAN, a bunch of Japanese VHS tapes (some from Video Daikaiju), and last but not least a slew of Dark Horse Godzilla comic books.
The dealer's table was actually a guy selling his copies, which he had a lot of copies and stuff. All 6 inch figures were $15, Bandai Creation figures were $5, Bandai Creation 12" figures were $20, and all exclusives were $30. So here is what I got:
-Bandai AFFE Exclusive crystal Gamera 1999 $30
Me, the dealer, and a friend of the dealer then chatted. It was nice that I got to chat with other Godzilla fans. We covered topics like our Clubtokyo memberships, Gamera 3 or Gojira, and other Godzilla collectibles. Then some eyes widened when people found out that I got such rarities like the Bandai Large Scale 1991 Godzilla or the Chogokin Kiryu 2002. Then we talked about the CM discs. Total nerd fun. Sadly, the dealer, who I forgot to get his name, had to leave half way through the film to go on a trip to Florida.
After that, I just started taking more and more photos. The theatre, I found out, is like the Godzilla capitol of the South East: the theatre itself keeps Godzilla toys at it's box office stand (a bottle cap with a HG figure of 1974 Mechagodzilla and a Bandai SD Gira-Goji in the corner of a window. The stand, which held the G-Fans and the R2 VHS tapes and the Dark Horse comics, is a monthly thing filled with Goji merchandise; but on occasion other merchandise to other cult films, depends on what they are showing).
On a side note, I bet that the woman who greeted me is a critic who is hopefully going to or already has reviewed the film positively on local Atlanta, Georgia radio. Another thing I wish is that Roger Ebert would be here. While he did not like Gojira much, he did like Gamera: Guardian of the Universe (1995) and therefore hope to get a review of the film from him. When the film was over, my family went and got a photo with Proff. Morte (and I thanked him for the interview) then got a photo with the Godzilla suit (the Godzilla suit was not the GMK suit, it was very well made home made suit with the head looking like the 12" Banpresto figure's head). Everyone seemed to be pumped and I could not go to sleep for another 16 hours after that, since it was my first Godzilla theatrical experience.
In conclusion, it was a well worth event. Sure, I was the only forumer to go but it was a cool experience which a lot of people wished could have been here. And I wished that Packmule and Avery Guerra could have been there. And if you are reading this, you should have been there. It was like a mini G-Fest like none other.
8.25.2009
Silver Screen Spook Show presents... RODAN
Youtube/Fan Fiction Update
Next is something which really evolves the youtube side of the fandom. The youtube fandom’s most talented members are getting together under one banner as "TokusatsuReviewV3". News, Coverage of fan events, toy reviews, and news reports are all present. Right now the members of the channel is Deadzilla, EatIt41, NickJownz, and Ultraman Cronos. Below are the three videos done for the channel. The first one is by EatIt41, the second is UltramanCronos, and the third by Deadzilla.
